hi people, I couldn't resist. just read the pitch with the Defenders, I like the opening as cataclysmic-disasters, and I think that everything must be told like that ( taking the train trick ), I mean , information are appearing, just to make the readers accepting the fact of the Defenders as saviors,( so I think it needs more than 5parts,either way there's a risk that it will be take as a " what if..."), I like the idea of differents goals of the characters ( Namor and Doom ), this a way to finally conclude the love-triangle affair.....
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Yeah, seriously. This could potentially be a big problem with Sean's schedule.
My bad there, guys. I'll try to be more on top of things and getting back to you quicker
Sean said that this erratic schedule will only be for the first two days. By tomorrow, everything should be ironed out.
If not, we'll have to let Tom approve our steps before Sean gets his veto right. That will cause delayed books, however.
hi people,
I couldn't resist.
just read the pitch with the Defenders, I like the opening as cataclysmic-disasters, and I think that everything must be told like that ( taking the train trick ), I mean , information are appearing, just to make the readers accepting the fact of the Defenders as saviors,( so I think it needs more than 5parts,either way there's a risk that it will be take as a " what if..."), I like the idea of differents goals of the characters ( Namor and Doom ), this a way to finally conclude the love-triangle affair.....
Sean, you're all right.
Did I miss something in Tom's original post. I thought our creative teams were all in place, so I kept several of them.
But Tom told me that they were all outgoing. Am I ca-razy?
I'll try to clarify the creative team thing. He might just be figuring that this was the last book of respective runs?
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